The air here tasted angry. Sano doubted anyone not as precisely attuned to it as he was would have been able to sense it until they were much closer, but he was aware by the time the elevator had ascended only a few floors that they were in the right place. Somewhere in this building was shade energy — to which they were drawing closer and closer — that matched exactly the energy that had been plaguing Sano for the last month. Its influence strengthened with every moment, and he was bracing himself for what must come.
“We’re perfectly happy to assist Mr. Gains wherever it’s most convenient,” Hajime was remarking to Dae-hyun in that creepily polite tone Sano had heard from him once before, “but maybe you can tell me something I didn’t want to ask him on the phone: what is he doing at his office when he’s in such bad shape? I understood he was on a leave of absence.”
Dae-hyun, who resembled nothing so much as a smiling brick, nodded his understanding of the question and replied in a pleasant tone like something from a training video. “Besides being a very valuable and highly respected member of our organization, Mr. Gains is also an artist. He has a studio here in the building where he spends much of his free time.”
Yes, having this somewhat ambiguously ranked assistant to the CEO readily available must be very convenient to the organization, Sano reflected. As he couldn’t quite decide whether he would rather have come to this tense and unnecessarily posh-looking office than visit a possibly paranoid and definitely irate yakuza secretary at his own home, Sano couldn’t quite decide either how he felt about the existence of this so-called studio. It made no difference; he was already here.
But for a few more totally fake (but very well delivered) remarks between Hajime and Dae-hyun about the sparkling success of U.S.Seido, the elevator ride was conducted in silence. Sano didn’t have to watch the numbers to track their approach of the fifteenth floor; he could feel the angry shade more strongly with every passing moment. He couldn’t imagine how much was up there for him to be so aware of it at this distance, but he feared that stepping from the elevator at the top was going to be like entering a war zone.
At what point Hajime had noticed the shade and its effects on Sano, the latter couldn’t guess, but the exorcist had taken half a step, made just a slight shift in the way he was standing, that seemed to indicate solidarity, and for that Sano was grateful. Hajime really didn’t have to be here, but here he was, ready, as ever, to do what he must. Sano just wondered what that would end up being in this situation.
He also wondered if and how Kenshin would react to this volume of shade energy. The ghost hadn’t caught Sano up yet, which was more of a relief than anything, but if he followed his usual pattern he must eventually; what would happen then? Did Kenshin know whose anger it was? Did you find things out after death that you hadn’t known before? Or perhaps Kenshin had known before he died of the possibility of his brother-in-law’s seeking revenge, and was held in this world by the guilt he felt at never having warned his wife.
Such speculation was useless at the moment. Sano just tried to block himself off against absorbing any shade energy before it was absolutely necessary, took a deep breath, and watched the elevator doors slide open. This time their escort led the way instead of gesturing them to precede him, and, as the presence of the huge red shade more or less hit Sano in the face from in front of him to the left, it was a significant relief that Dae-hyun took them to the right. The awareness of the shade didn’t greatly diminish by the time they’d reached the door they were apparently to enter, but Sano was still glad not to have to confront the thing immediately.
In response to Dae-hyun’s knock, the heavy, paneled door was jerked open almost at once, and the visitors got their first look at Bridgestone Gains; the fact that the man in front of them was most definitely haunted by the same shade as was Sano verified his identity even before Dae-hyun’s polite greeting could do so. Other than the red energy rising from him, as his precipitous opening of the door expended some of it, there was nothing terribly remarkable about him except an apparent vigor and athleticism of movement perhaps a little unusual for a man evidently in his late sixties.
“Come in,” ordered Gains curtly, interrupting whatever was being said by Dae-hyun. The latter didn’t appear at all put out by this, just handed Hajime his sword and walked away with smile and imperturbability intact. Sano listened for the sound of the elevator as he followed Hajime through the door in front of him, but heard nothing. So this floor, at least, was being guarded as long as they were here, even if Dae-hyun wouldn’t actually be in the same room. He supposed it was no surprise.
What was a surprise was that same room. Sano hadn’t even begun to take the term ‘studio’ seriously, and if he had would have envisioned easels and canvasses and paints. This mixture of workshop and laboratory, fitted with sinks and gas jets in a couple of high tables, scattered with a number of somewhat disturbing-looking instruments such as might be used by a sculptor, and decorated by several much more disturbing-looking products of these tools, was nothing he would have expected even if he’d bought the description of ‘artist’ for the man they were here to see.
The figures — sculptures? — though they had indentations and curves reminiscent of certain more extreme contortions of the human body, were yet not exactly human in shape, and Sano would need a little more time than he had right now to decide what he thought they actually looked like. Just the glance he was allowed at the moment, though, before turning his attention toward Gains, told him that the most disturbing thing about them was not so much their shape as their composition; whatever they were made of didn’t seem to be stone or clay, but something a good deal more… fleshy. The light in the room definitely hit them the same way it did the skin of the three people present.
“Mr. Gains,” Hajime was saying in his obsequious tone that, compared with the creepiness of this room, was positively reassuring at this point, “I can see just by looking at you that it’s a good thing we came, if you’ll excuse me saying so. I’m Hajime Saitou — we spoke on the phone — and this is my partner Sano Sagara.”
Hajime had a gift for making remarks that knocked Sano right out of whatever else he was thinking or feeling, if only for a moment. Partner?? It was staggering, and if Hajime hadn’t wanted Sano to react to it with the full-body jerk and whiplash glance in his direction he gave on hearing it, he should have warned him beforehand.
Examining them both briefly up and down with a scowl, and certainly not missing Sano’s start, “It looks like that’s as true as it is believable,” Gains replied in a sneering tone. Scorn, Sano had found, often arose from an impulse to hurt that was itself a product of anger… and this was a very familiar anger. Only imperfectly did he recognize it, however, so caught up was he yet in the unexpected effort of trying to quell the tingly feeling that had suffused him at the idea of being any kind of partner to Hajime.
“And this is a data analytics business,” the exorcist said dryly, “whose CEO committed suicide.”
It was well done, Sano thought. He’d already been trying to counter the aforementioned tingly feeling with the stern reminder that Hajime’s introduction of him as a partner would have been less complicated and perhaps more dignified than explaining who he actually was — but now, in implying something between the two of them he didn’t want to mention outright, Hajime had managed to create a sort of parallel of concealment that must help to raise fellow feeling. He’d essentially suggested to Gains, “Let’s work together on the understanding that we each know the other has a secret, and are both politely not prying.”
However angry he might be, Gains evidently understood, for he nodded sharply. “Well, and what can you two do for me?” he asked irritably, crossing wiry arms whose liver spots were bared by the rolled state of the sleeves of his black button-up. “It’s been almost three months since Enishi’s ‘suicide;’ if he’s haunting me, how do you get rid of him?”
As always, the uninitiated assumed ghosts when all that really plagued them was shades. Unless, Sano reflected with a slight shudder, Enishi’s ghost was hanging around just like Kenshin’s was. Maybe he was in the next room, hovering in the midst of his anger, waiting for Sano to bring Kenshin to him and stage a final, dramatic, undead confrontation or something.
But that couldn’t be. One ghost was rare enough; the statistical likelihood of encountering two at once must be practically nonexistent. Sano shook himself back into sense and shelved these thoughts alongside the daydreams he fully planned on entertaining later about being Hajime’s partner. Which left only the overwhelming urge to ignore the current conversation, and instead examine this crazy room, to try to repress.
Hajime was reassuring Gains with, “Sano can extract the angry energy from you, so you’ll be able to go back to your normal activities.” And he proved that he too was curious about the contents of the room in which they stood by throwing a quick glance around at it as he spoke the last words. Sano’s contribution was a nod; he doubted it would be any kind of problem to absorb all the shade that had Gains so tetchy — or at least it wouldn’t be difficult to accomplish… what might happen afterward, if there was enough of the stuff to give Sano another critical mass, he didn’t know.
“Do it, then!” Gains ordered, glaring at Sano. Actually he seemed far less angry, in general, than Sano had expected; he must have found a way to expend some of the shade before they’d arrived. The disarray of the equipment in here, as if someone had inflicted upon it a very bad mood and then only imperfectly straightened up, might explain that.
“First,” Hajime said smoothly, “tell me: what’s over there?” He gestured with the hilt of his sword off to their left, past a couple of painted folding screens that were distinctly out of place in here but that probably looked congruous enough from the other side; between them, Sano could see through to what appeared to be a sort of lounge done up in a mixture of oriental styles. It was beyond this space, probably past the far wall he could only get a limited glimpse of from this angle, that the feeling of red shade was emanating most strongly. Hajime wanted to head straight for the source of all this trouble, and, unpleasant as Sano feared it would be, he couldn’t but agree.
Gains jerked his gaze in the direction Hajime indicated, and scowled. “I assume you mean Enishi’s office, since you can see the kètīng perfectly well for yourself.”
“Enishi’s office,” Hajime repeated thoughtfully, ignoring Gains’s grouchy tone (and not bothering to ask what a kètīng was even if he, like Sano, wasn’t entirely sure). “We’ll need to take a look around in there.”
“Nobody but me goes in there,” Gains snapped. “Not until we have a new CEO.”
Hajime’s tone was as smooth and soothing as before as he answered, “And I’m afraid that’s the reason you’ve been so angry for so long. You’ve been picking up more angry energy every time you go in there, and probably just by spending so much time here in your studio next door.”
Again Sano nodded his concurrence. Somebody or other would have been affected eventually by the shade under any circumstances, but Gains had hastened and worsened the process by hanging out so close to it ever since Enishi’s death. And his leave of absence, rather than helping him recover, had probably actually exacerbated his condition by giving him so much more time to spend in his studio.
At Hajime’s words and Sano’s nod, Gains’s face twisted into an expression almost of rage, and Sano wondered whether this was because he didn’t like to be dictated to by strangers, or because the aforementioned appointment of a new CEO — something that had obviously already been a long time in the works — was a touchy business that caused him to get defensive about the old one’s office and effects, or because he’d been closer to his late boss than they’d had any idea. But he didn’t strike at either of them, as Sano had half expected, nor even lash out verbally. “All right,” he said instead, teeth gritted. He turned abruptly and moved toward the other half of the room and the room beyond, pulling a keycard from the pocket of his black slacks as he did so. “But you can’t touch a damn thing in there.”