No matter how much I would like to pretend otherwise, I’ve been dreading this. The aversion I’ve felt regarding Sanosuke from the moment he walked into this current life of mine is based not merely on the fact that he is a vampire, an obligate murderer, but also on the point about to be raised in this already ambivalent conversation.
“It’s gonna be up to you like always.”
“…someone I could be looking for.”
“You’re gonna have a choice to make here after not too long.”
I can’t ask him what happened next, can’t prompt him to continue his story as I did before. He’s going to tell me no matter what I do, and I don’t have the courage to speed that process. At the same time, I can’t stop staring, and I don’t think vampiric allure has anything to do with it. I may not want him to go on, but I won’t shy from that inevitability. Can he see the antipathy in my eyes as I look at him? I’m sorry for that.
He takes and releases a deep, preparatory breath, and I’m reminded so poignantly of his panic at finding himself unbreathing in those first moments when he awoke a vampire that I draw a sudden, quick gasp into my own, working human lungs without thinking.
“Saitou Hajime died in 1879,” Sano begins quietly at last. “Nine months later, in 1880, the same guy was born named Fernando in Brazil. It took me about sixteen years to find him, though; I was almost ready to give up, but that’s never been something I’m very good at.” A slight, wry smile touches his pale lips, but this time I can’t return it. It doesn’t touch his voice. “By then you were in Canudos and could have seriously benefited from super strength and immortality… but you still didn’t want it, even when I told you how you died before — I couldn’t do the giving-back-memories thing yet at that point. So you died again in 1897.”
“Canudos?” I echo.
“Look it up,” he replies, somewhat harshly. “You don’t need to remember all your past lives.”
I shudder. “No, I don’t,” I agree.
“But after that,” he goes on, his tone growing even harder, “I watched you die again in 1920, 1957, and 1980. I’ve watched you die five times, Saitou. Every time it’s because you refused to let me change you. Every fucking time. You could have lived, we could have been together forever, but every fucking time you said no. You just made me watch.”
The pain in his voice is beyond anything I can fathom, and contemplating what his existence has been since Japan is almost more than my mind and heart can handle. I can’t say a word.
“You always thought I’d get myself killed doing something stupid before I was twenty-five…” He laughs bitterly. “But Canudos… the Rif War… riots in Johannesburg… the fucking Persian Gulf… here I am a hundred and forty-eight, and you’re the one who can’t get through half a life.”
Still I’m unable to speak. What must he have endured, finding me again and again, helplessly watching me die time after time… what must he have suffered?
“It doesn’t have to be that way…”
And that’s what it comes down to: the same point, I suppose, it came down to every lifetime: my power to bring this series of tragedies to a halt, to end his suffering.
“And eventually I’m not gonna ask; I’m just gonna–“
It didn’t mean anything to me when I overheard him telling Takani this outside the convenience store, but now the chilling significance of the statement strikes me with cruel, inexorable force. Eventually he isn’t going to ask for my permission, whether I want him to save my life or not, whether I want to share his eternal fate. He’s simply going to force the issue the moment he finds me.
The deep and multifaceted horror I feel at this idea must show in my face, for his twists and hardens in despair and frustration as he looks quickly away from me. “I’m not strong,” he whispers. “You always said it back then, and it was true. I’m not good enough. I’m becoming just like the rest of them no matter how hard I try.
“I can’t stand to give you up, to let you live your own lives and go on without you… but time changes me, and every time I meet you again I’m a worse person than I was before. Someday the Sagara Sanosuke you knew in Japan will be completely gone, and all that’ll be left will be this monster who’ll turn you without thinking and keep you forever like a slave or a pet. And I know I should just walk out into the sun and end all this, but then I think about finding you again and I can’t do it.
“I still love you. I’ve loved every version of you, every time; there are things about people that don’t change no matter how many times they’re reborn, no matter what situation they’re born into or what kind of parents they have or how they grow up — and you’re always the same guy who fights to make things right, who fights until he dies to make things better for people, fights for whatever he believes in and somehow always manages to believe the right things. I’ll always love that. And I don’t want to hurt you, but one of these days it’s going to happen. And I don’t know what to do about it.”
Silence falls like a heavy weight. We’ve reached a juncture where I must speak, and can’t allow not having the faintest idea what to say to keep me from saying something. I open my mouth, but how can I express even a fraction of what’s going through my head?
I anticipated what the eventual primary topic of this conversation would be, and I recoiled… but I see now I was responding solely to the same abhorrence I felt at the time of my death in Japan: an aversion to the prospect of losing my humanity. Now as the full implications of the situation slowly dawn on me, my emotional reaction broadens immeasurably. Because whatever he is or is becoming, the fact that Sano never stopped searching the world for me crashes down on me like a weight as heavy as the silence, sending out ripples through all my other thoughts and feelings.
He never was, as he freely admits, very good at giving up, of letting go of the past; in fact I even wondered just a few minutes ago whether his continued insistence on wearing that aku ichimonji isn’t an indication that this aspect of his character hasn’t changed. But for that stubborn tenacity still to be in ascendancy over a century later? It’s enough to startle even someone that knew him intimately during his mortal life.
There is, however, a certain question I’ve been assiduously dodging the way I won’t allow myself to do with the offer he’s here to make, and only in this avoidance, this suppression of an important point, could I possibly be at all surprised at learning how devotedly he has sought me out over the years. He loves me. He said it himself, and it wasn’t as if I didn’t know it — but the true strength and depth of that love, a love that could keep him endlessly on my trail despite my inevitable reception of him every single time, is something I never recognized — and something that’s making my heart beat rapidly now.
His dogged disinclination to let go of the past cannot account for everything he’s done, and wasn’t I just recalling, with some sorrow at its apparent loss, his intense emotionality? That inability to let go could only send him on this hopeless eternal quest when combined with a profound and dedicated love — a love I underestimated, both in Japan and certainly here and now. Here, at least, because I wouldn’t allow myself to look at it squarely, because I didn’t — and don’t — want to face the related question, Do I still love him? In part because that question and its answer will make his offer all the more complicated to deal with in its turn.
“I’m sorry.” The words that eventually emerge from my open mouth seem ridiculously, agonizingly inadequate. Are they better than saying nothing at all? I don’t know. “I’m sorry it’s been so painful for you. I wanted to save you from…” Helplessly I pause. At the time I didn’t know what I wanted to save him from; plain death was the worst I could imagine. If I’d even dreamed of this possibility, this fate worse than death, of course I would have tried with all my power to guard him from it… but none of us had any idea. “…everything.” It’s true enough, if still ridiculously inadequate.
Though he accepts my statement with a nod, there’s a faintly afflicted expression on his face indicating he knows perfectly well, as I do, that we’ve slipped from the main point. “This wasn’t something you could save me from,” he says, lifting a ghostly pale hand. “Even if we’d known more about vampires at the time — or anything about vampires — there wasn’t a lot we could have done.”
“We could have stayed inside at night,” I suggest with a shake of my head. This is prompted by the back of that raised hand, which, from wrist to fingertips, is covered with an unexpected, familiar burned patch. That must have been there the whole time, of course — I specifically took note of the paleness of his hands the first night — but I didn’t notice it until it meant something to me.
“That wouldn’t have helped. Remember, I wasn’t a random attack.”
I frown. I do remember. Just as I remember the circumstances of that burn. “We’re lucky the sun didn’t kill you that first day.” I’m still staring at his hand where he’s lowered it to his leg once again. It’s easier than looking at his face.
“‘Lucky,'” he snorts. “Right.”
Taken aback by the bitterness in his tone but not quite ready to discuss the disturbing changes to his character, I remark instead, questioningly, “That still looks almost fresh.”
Sano raises the appendage a second time and gives it the type of nearly blank look generally used to examine an already quite familiar object. “Vampires may be a lot stronger than humans,” he says at last, “but we grow and heal a lot slower. It takes a lot of blood to get rid of something like this. ”
My emotions at this information are indescribable. He’s carried that mark for over a century when presumably he could have hastened the healing process by consuming more blood. He hasn’t given in yet. He isn’t a… Well, he is. He is a monster. No matter how he restrains himself, he’s still a vampire, someone who preys on his fellow man in order to survive. The urge that’s arisen within me — to go to him, to hold him, to kiss his scarred hand — is overwhelmed by the familiar cold reluctance.
Maybe he senses that resurgence of hesitancy, for he brings us back around to our earlier topic. “The point is–” He sounds unhappy and impatient– “this isn’t your fault, and you shouldn’t feel sorry about it. It wasn’t even my fault,” he adds with only the hint of a sour smile. “You did everything you could, and I was even ready to listen to you for once. How were we supposed to know stepping out to use the bathroom would get me killed?”
Again I shake my head.
He takes another unnecessary deep breath. “There’s only one part of the situation you have any control over. And I’m still myself enough to give you a choice, for now.”
“I know,” I murmur, averse to hearing him say it unequivocally but knowing he’s about to.
And he does. As he leans forward, my eyes are drawn inexorably from the sun-scorched hand on his knee to his chalky, earnest face — the face I so loved in a previous life. “Let me make you a vampire, Saitou. Stay with me forever this time.”
I wonder if in previous instances he framed it as a question rather than a command. It doesn’t much matter — except as an illustration of the gradual alterations he’s undergoing — because the answer is still no. Just as it was in Japan, just as it has been every time, just as it always will be. He must know, based on those aspects of my character that remain the same throughout every reincarnation, that I could never consent to become an undiscerning killer. In fact it hurts that he would even ask, continue to ask, as if that might change. But I suppose the idea of giving me up, giving up the only means he can think of to be with me for more than a single too-short lifetime, is just as horrific to him as I find the idea of indiscriminately murdering innocent people to meet my own selfish needs.
And how long can this cycle go on? Anguish, protracted on his part and brief but endlessly repeated on mine; rejection, turmoil, unwanted personal metamorphosis? Death after death after death? How long can he hold out? Next time — hell, perhaps this time — will my refusal of his plan be met with a snap of teeth and a return to that sensationless tunnel, at whose end in this instance will lie slavery and self-loathing? Or is he stronger than he thinks, and this process is destined to repeat far oftener than either of us can anticipate? Will I be stepping from my flying car onto the landing pad of my floating apartment in the year 2500 to confront a pale, unknown but unnervingly familiar visitor approaching me with an offer to which the answer will still be no?
I wonder what I’ve said to his question — or command — in the past. Not the purport of my reply, but what words and demeanor I’ve used. For I find that now, no matter how decisive my opinion, it won’t come out of my mouth. Just as I couldn’t bring myself to tell him I didn’t remember him, to crush his distant hope that something in me might have recognized my old love without his having to resort to vampiric tricks to restore my memory, I can’t straightforwardly tell him the method he has in mind for keeping us together forever is and must always be totally unacceptable. At least not now. Perhaps I do love him, and can’t admit it. I know, whatever my feelings, I don’t want to cause him further suffering. It seems so simple to say, “No,” and yet I find it’s something I have to work up to.
“I’m going to need some time,” I finally manage, “to think about this.”
He doesn’t complain, or demand to know how much time, or protest that it’s a really easy question — which it is — or give any of the passionate reactions I’ve stopped expecting from him but part of me yet craves. He merely nods. I get the feeling, however, he’s disappointed just as he was when I couldn’t offer any verbal reply to, “Do you remember me?” He undoubtedly knows what I’ll eventually say; it would require a flagrant repression of pattern recognition beyond even Sanosuke’s stubbornness not to be aware of that. As such, I may actually be prolonging his suffering exactly as I was reflecting I’d prefer not to in failing to say it candidly now… but still I can’t manage it. I’m simply incapable. He mentioned there are challenges he feels he’s not strong enough to meet — completely different than what I had in mind when I disparaged his strength in the Meiji era — perhaps without realizing that I too suffer from weakness in certain unexpected areas.
Another silence falls, this one unbearably tense. No, he didn’t ask how long I needed or complain about the ease with which I should be able to come up with an answer… but surely, underneath this wordlessness, he doesn’t believe the time I require will be a mere matter of seconds or minutes? That I’ll say what I have to say here on the spot? The thought almost makes me smile, incongruously in the midst of this painful drama, since it would be so characteristic of the old Sano. And I wish I could at least produce some timeframe, some estimated period during which I can hope to work up the nerve to give him the forthright answer that’s already in my head. But I can’t even do that much.
And after a while he demonstrates he is not, in fact, waiting for me to speak again. He abruptly leaves the sofa, prompting me to stand as well, and says, “I’ll come back tomorrow night and see how you’re doing.” And though his movement was startling, his words are a relief: that he didn’t declare he would return for my answer, only to check on me. He has some kindness and consideration left, whatever he’s lost.
It’s my turn to nod blankly, since I can’t think of anything to say or which of my many interconnected feelings to allow on display. And instead of trying to figure out how I’m going to tell him what I have to tell him, I’m staring at his familiar yet altered figure, his still-beautiful face, and remembering happier days.
Between one memory and the next, he’s gone. I actually hear the soft sounds of the door opening and closing this time, but I’m too caught up in emotion and contemplation to add this information to my dilettantish interest in how silently vampires do or don’t move. Without looking after him, my eyes in fact locked on the space where he previously stood, I remain motionless for several moments in my bright, empty living room. Then I step slowly to the sofa and sit down exactly where he sat. The abnormal chill in the slight depression is the only remaining sign he was even here.
I press my palm against the cool spot on the couch’s side where for a while Sano’s arm rested, thinking of that old burn and everything he said to me, everything he’s suffered, and everything I need to say to him. Presently I lean forward, removing my back from a cushion that’s already losing the elusive coldness of Sano’s presence under the influence of my own, and drop my head into my hands.